bunnyboo: "Shhh... I'm reading" (reading)

Heya! I'm finished with Eleventh Month, Eleventh Day, Eleventh Hour. It’s truly fascinating. There’s a lot of great stuff about subjects that I think are often overlooked—poetry, Black and Indigenous soldiers of color, prostitution, class conflict, and the rise of socialism. The chapters are pretty short, ranging from five to twenty pages, so it’s more of an overview and starting point for further research. That being said, Eleventh Month does a good job of giving a summary of events and then elaborating with anecdotes and quotes from those who actually experienced them.

Something that I’ve noticed is that World War I, at least how it’s presented here, is a war of division. It all started with Serbian nationals trying to break away from Austria-Hungary, continued with Germany’s backing of Austria-Hungary’s emperor (and cousin of the Kaiser), Franz Josef, and escalated when France and Russia got involved. So there’s this cultural and geographical division happening, but there’s also the divide between the rulers of these powerful nations. King George V, Kaiser Wilhelm II, and Czar Nicholas II were all cousins descended from Queen Victoria. If the Civil War was a war between brothers, World War I was a war between cousins. Sometimes literally, in the case of German American soldiers!

But more than that, World War I, as seen through the lens of Eleventh Month, was heavily influenced by the class divide in Western Europe. Men of genteel, wealthy, noble birth were immediately put into officer positions, regardless of their combat or leadership ability, while men of lesser status were slotted into whatever jobs were needed—often pushed straight to the front line after a few months or weeks of training to outpace the rapidly growing mortality rates in the trenches. This is a war where officers strutted around in stylish uniforms and riding boots, played polo and cards, had hot meals and meat every day, and some—not all and not even the majority—never even saw battle. That’s not to say that every officer was of the upper class nor that every officer sat around all day and played soldier. There were men who had been promoted on merit; there were officers who gave their lives for their men. But something that’s brought up is a sense of comradery, even if it was fleeting, between the “bourgeois” and the “proletariat.”

To quote a letter from Second Lieutenant Stephen Howet who censored letters written by his men, “What a lesson it is to read the thoughts of men, often as refined and sensitive as we have been made by the advantages of birth and education, yet living under conditions much harder and more disgusting than my own.”

Another anonymous diarist wrote, “I shall never think of the lower classes again in quite the same way after the war.”

Sir John Keegan is quoted as writing that the exposure of these two disparate classes “would eventually fuel that transformation of middle-class attitudes to the poor which has been the most important trend in twentieth-century Britain.”

I’m not quite sure if I agree with Keegan’s statement. True, an exposure to people of other classes was likely helpful for instigating social change back home, but I think it ignores the other factors that come into play in classism. At this time, scientific racism and, by extension, scientific classism was still rampant in the Western world. Eugenics was about to emerge in a horrific way on the world stage. While it wasn’t often as extreme as phrenology (a practice which had fallen out of favor within recent memory) and determining “criminality” based off bumps on someone’s skull, there were still the remnants of feudal mindsets—“I’m this person’s social or economic better, so I must also be their physical and psychological better.” It makes sense that the events of World War I would propel communism and socialism—proponents of class and worker equality—to becoming one of the world’s leading ideologies. I find this angle really interesting. There’s a similar topic that comes up in Eleventh Hour—racism in the trenches.

To be fair, the chapter on black soldiers is only eight pages long, but I think it gives a good chunk of background knowledge to delve into later. Black regiments were segregated from white counterparts, a practice that would only end after World War II. They were given inferior and, at times, no equipment or weapons. (“When the New York 15th National Guard Regiment marched through the city’s streets, only men in the front rank and on the flanks were issued rifles to make it less obvious that most lacked weapons.”) They weren’t even given a division of their own until W.E.B. Du Bois and other black leaders pressured the military. “If this is our country, then this is our war.”

Appealing to black men, Du Bois said, “That which the German power represents spells death to the aspirations of the Negroes and all darker races for equality, freedom and democracy. Let us not hesitate. Let us, while this war lasts, forget our special grievances and close our ranks shoulder to shoulder with our own white fellow citizens.”

Black soldiers were denigrated at almost every turn, given the filthiest and most backbreaking labor, and often thought of as cowardly and “hopeless inferior” as both soldiers and officers.

As George Bernard Shaw said, America “makes the Negro clean its boots and then proves the moral and physical inferiority by the fact that he is a shoeblack.”

That’s not to say that there weren’t black officers—though they were limited in rank and always under the command of white higher-ups—or black heroes who were celebrated for their bravery, if not formerly by their own country. Look up Henry Johnson! He was badass as all hell and was only honored in his lifetime by the French, who are noted for treating black soldiers better than they would be back home.

Indigenous soldiers get less about two pages, but it’s a good contrast to the treatment of black soldiers. There’s often a tendency for white Americans to see indigenous people as “brave warriors” or “noble savages”—at one with nature and supremely deadly in their environment, yet innocent and naïve enough to fall prey to the “superior” white settlers. Indigenous Americans were “seen as a free spirit, swift of foot, keen of scent, stout of heart. [They] were presumed to be natural scouts, snipers, and runners, all high-risk occupations…” The racism they experienced still existed—they were still segregated and kept apart from their white comrades—but was generally born out of “positive” stereotypes and idealized, patronizing views of the culture. Their heroics would be greatly exaggerated and romanticized, turning into full blown caricatures.

“’Red Indians from Wyoming or Colorado were stoics of high explosive shells and poison gas as if the calument went round at the council fire or the drums beat to a dance.’ Indians scenting trouble, ‘ran through the woods like deer.’ Jess Fixon, a Cherokee, reportedly claimed that he had enlisted to ‘bayonet the Kaiser all by himself,’ explaining that Wilhelm II, ‘killum papoose, killum squaw, so Jess Fixon will find this Kaiser and stickum bayonet clear through. Ugh!’”

Fun fact! There were code talkers in World War I too. Choctaw tribal members used their “native dialects” to confuse the Germans and might’ve been confusing even to people who spoke Choctaw because of the “demands of modern warfare.” Machine gun was “rendered by the Choctaws as ‘little gun shoot fast.’ Causalities became ‘scalps,’ and a unit, the 3rd Battalion, for example, was identified as ‘three grains of corn.’”

On that note, I’ll end with a “fun fact” I learned.

·         According to “the most conservative estimates, during the last day of the war, principally in the six hours after the armistice was signed, all sides on the western front suffered 10,044 causalities, of which 2,738 were deaths, more than the average daily causalities throughout the war.” This is more than the losses suffered on D-Day by nearly 10%.

I’m glad that I took the time to learn more about this time period. World War I was sorely neglected in my education growing up, and I never rectified that until now. I know there’s stuff I left out that I’m interested in, chiefly the poets and poetry of the war and the contrast between patriotic idealism and fatalism. I think there’s a huge amount of material for both creative and academic writing here. I’m interested in learning more.

I’m thinking of watching 1918 this weekend, but it might be a hard sell for my movie mates. Could anyone recommend any further reading?

bunnyboo: "Shhh... I'm reading" (reading)

I’ve been reading about World War I recently, mostly in context of how it affected and was affected by the “Spanish” Influenza epidemic. It’s fascinating stuff. I just finished reading The Great Influenza: The Story of the Deadliest Pandemic in History by John M. Barry. I’d highly recommend it! It’s a great account of the science, politics, and military maneuvering behind the rise and fall of the “Spanish flu” (which likely started in the United States—Spain was just the first to report on it because of the media censorship surrounding World War I). It’s a lengthy read but I was absolutely hooked.

Anyways, what I know about World War I can be summed up in a ten-point list:

 

1.       It happened in the 1910s.

2.       It was between “us” and Germany. (I learned from The Great Influenza that President Wilson was actually very reluctant to enter the war!)

3.       A lot of people died, so many that the global population was irrevocably changed.

4.       Most of the combatants died from disease. (Actually, this was only sort of true. According to The Great Influenza, actual combat just barely won if you discount certain factors.)

5.       It was pointless, cruel, and bloody.

6.       C.S. Lewis and J.R.R. Tolkien both fought in the war, which may have had some influence on their later works.

7.       The surrender conditions the Allies imposed on Germany encouraged the rise of nationalism and eventually the Third Reich.

8.       Poison gas. Lots of poison gas.

9.       It was the last major war to have people fight on horseback.

10.   It had something to do with the assassination of Archbishop duke (!) Ferdinand.

 

I’d say that this is pretty much layman’s knowledge, considering that most American history classes tend to focus on the two “big” wars sandwiching this period—the Civil War and World War II. I’m coming at this sort of blind, and I’m eager to learn more. I’ve started Eleventh Month, Eleventh Day, Eleventh Hour by Joseph P. Persico. It specifically focuses on Armistice Day and the futility of men dying in combat when the end of the war had already been agreed upon. There’s a quote I’d like to share that will color my perception going forward—“All the scholars on Earth cannot explain the war much better, as it dragged on, than the British Tommies’ ditty ‘We’re here because we’re here because we’re here because we’re here.’” 

bunnyboo: A portrait of Jane Austen (austen)

It’s been a long road… getting from there to here… It’s been a long time… but my time is finally near... Uh, pay no attention to the Enterprise reference. I am one of the few people who loves that opening (and that series), and it always pops into my head when I think ‘It’s been a long time.’ However, it has very little to do with Sense and Sensibility, so let’s move on!

 

Spoilers for a 200-year-old book within... )
bunnyboo: A portrait of Jane Austen (austen)

Sense and Sensibility won the coin flip. It’s been a while since I’ve read Austen, and it’ll be interesting to go through her first published book in comparison to the others I’ve read. Here’s my progress so far.

 

Spoilers for a 200-year-old book within... )
bunnyboo: A painting of the Peterborough Cathedral by WL Walton (1870) (pillars of the earth)

This post has been a long time coming. My apologies. I kind of lost my mojo. I promised myself that I wouldn’t start a new book without finishing up the write-up for the previous one so here we are! This’ll be quick.

 

Spoilers for a 30-year-old book within... )

 

Anyways, next up is either The Return of the King or Sense and Sensibility. I might just flip a coin…

bunnyboo: A painting of the Peterborough Cathedral by WL Walton (1870) (pillars of the earth)

I’ve gotten another three hundred or so pages in. There are some cracks starting to show, but it’s been an engaging and enjoyable read.

 

Spoilers for a 30-year-old book within... )
bunnyboo: A painting of the Peterborough Cathedral by WL Walton (1870) (pillars of the earth)

I’ve gotten through chapters one, two, and the prologue… which is a lot more impressive when you take into account that together they’re about 150 pages.

 

Spoilers for a 30-year-old book within... )
bunnyboo: A painting of the Peterborough Cathedral by WL Walton (1870) (pillars of the earth)
Hi, everyone! I decided to do something completely different for my next book - Ken Follett's The Pillars of the Earth! I've tried to stay as spoiler free as possible for this, but I know it's highly regarded. It's an interesting era in history that I haven't delved into much either. My experience with historical novels have all centered around the Tudors in some form or another, so I don't have much background going into this. I have, however, done some research into how people lived in this time (early 12th century England). I hope I'm not too lost!
bunnyboo: The symbol of The Eye of Sauron from the cover of The Two Towers published by Houghton Mifflin (lotr)

So.

So.

So…

 

The Two Towers has possibly the best cliffhanger ending I’ve read in a long time.

 

Spoilers for a 60-year-old book within... )
bunnyboo: The symbol of The Eye of Sauron from the cover of The Two Towers published by Houghton Mifflin (lotr)

Hey, everyone! I’ve gotten halfway through The Two Towers and am just about to start Book IV. As usual, things got more interesting when the hobbits started popping up. This is kind of a mess. I’m trying out a new way of recording my thoughts by writing them down in a Word document as I come across them in the text and then coming back and filling in details later.

 

Spoilers for a 60-year-old book within... )
bunnyboo: The symbol of The Eye of Sauron from the cover of The Two Towers published by Houghton Mifflin (lotr)

Hi, everyone! I’ve been going through The Two Towers at a pretty good pace. According to GoodReads, I’m about a quarter of the way through. Most of it’s been Aragorn and the gang traipsing about Rohan, so I’ve skimmed a lot of it. There’s some good stuff there that I want to talk about, but mostly I’m interested in the Ents. Oh goodness, the Ents.

 

Spoilers for a 60-year-old book within... )
bunnyboo: The symbol of The Eye of Sauron from the cover of The Two Towers published by Houghton Mifflin (lotr)
Let it be said that I waste no time. Well, honestly, The Two Towers took about five minutes to pick up—gosh, I love having such a convenient library.

My hopes for this? I want to see more Sam/Frodo relationship stuff with the addition of Gollum into the mix. I thought their dynamic in the movies needed expansion, so I’ll be glad to see it in action here. Hm. I also want to have some time with Aragorn; he seems interesting but he didn’t have much time to shine other than his introduction in Bree. I would like less elves, please. Legolas seems alright in a sort of jokey, light-hearted way, but elves mean long lectures on history about people I don’t care about. I’m expecting something darker and more serious—less hobbits being silly and hobbit-y. That’s fine as long as it gets replaced with some good character moments. I also assume that Sam will play a bigger role, something that I’m really looking forward to.

One thing of note that I wanted to bring up is, in my edition, there’s a little note from Peter Beagle. I’m pretty sure it was in Fellowship too, but I ignored it in favor of Tolkien’s preface. I think this quote is worth bringing up:

“I’ve never thought it was an accident that Tolkien’s works waited more than ten years to explode into popularity almost overnight. The Sixties were no fouler a decade than the Fifties - they merely reaped the Fifties’ foul harvest - but they were the years when millions of people grew aware that the industrial society had become paradoxically unlivable, incalculably immoral, and ultimately deadly. In terms of passwords, the Sixties were the time when the word progress lost its ancient holiness, and escape stopped being comically obscene. The impulse is being called reactionary now, but lovers of Middle-earth want to go there. I would myself, like a shot.

For in the end it is Middle-earth and its dwellers that we love, not Tolkien’s considerable gifts in showing it to us. I said once that the world he charts was there long before him, and I still believe it. He is a great enough magician to tap our most common nightmares, daydreams and twilight fancies, but he never invented them either: he found them a place to live, a green alternative to each day’s madness here in a poisoned world. We are raised to honor all the wrong explorers and discoverers - thieves planting flags, murderers carrying crosses. Let us at last praise the colonizers of dreams.”

It's kind of funny that this is right before Tolkien saying that he doesn’t want anyone interpreting his work as being based off real-life events. There’s environmental themes in The Lord of the Rings, even I picked up on that, but Beagle seems to be taking this as a political statement. I don’t think it is. At least, it wasn’t intended to be. Death of the author and all that. I do find that last paragraph meaningful, though. It is the characters we connect with, the world we want to imagine was real. And Tolkien is drawing on common mythology and themes, tapping into real human struggles and emotions. That last sentence seems very modern to me—a rejection of the historical myths of virtuous colonizers and conquerors. I’m not sure how I feel about it in relation to Tolkien. I might have to come back to that.

bunnyboo: The symbol of The Eye of Sauron from the cover of The Two Towers published by Houghton Mifflin (lotr)

I shotgunned the back half of Fellowship and figured I would do one post instead of splitting it up into a “Progress on…” and a “Finished…” Saving digital space!

 

Spoilers for a 60-year-old book within... )
bunnyboo: The symbol of The Eye of Sauron from the cover of The Two Towers published by Houghton Mifflin (lotr)
Less of a progress post and more of some musing on an overarching theme. We’ve reached Rivendell!


Spoilers for a 60-year-old book within... )
bunnyboo: The symbol of The Eye of Sauron from the cover of The Two Towers published by Houghton Mifflin (lotr)

This chunk of reading spans Frodo’s escape from the Shire, the group’s meeting with Tom Bombadil and Strider, and the encounter at Weathertop. I, uh, just let it get away from me, I guess. Focused critique, commentary, and analysis? Nope!

 

Spoilers for a 60-year-old book within... )

 

bunnyboo: The symbol of The Eye of Sauron from the cover of The Two Towers published by Houghton Mifflin (lotr)

Gandalf’s talk with Frodo is probably one of my favorite parts of Fellowship.

 

Spoilers for a 60-year-old book within... )
bunnyboo: The symbol of The Eye of Sauron from the cover of The Two Towers published by Houghton Mifflin (lotr)
Just a few observations this time. I’m leaning back and enjoying the ride.

 

Spoilers for a 60-year-old book within... )
bunnyboo: The symbol of The Eye of Sauron from the cover of The Two Towers published by Houghton Mifflin (lotr)
I have a rule that I don’t read the forewards of books before I’ve finished them, but I make an exception for ones written by the actual author—and what a foreward The Fellowship of the Ring has!

 

Spoilers for a 60-year-old book within... )
bunnyboo: The symbol of The Eye of Sauron from the cover of The Two Towers published by Houghton Mifflin (lotr)
I decided on The Fellowship of the Ring for my next book. I've read it once before (last year, actually), and what I mostly remember are hobbit genealogy and history (my favorite), a lot of walking, the strangeness that is Tom Bombadil, and Samwise being the best character. (I love Sam. I have an embarrassing crush on him.)

I tried reading it in high school and then in college, but I bounced off both times. It wasn't until I saw the movie that I was able to actually sit down and understand what was going on. Tolkien is a very descriptive writer and has a clear understanding of his world and its history, but that can sometimes be to his detriment - at least for me.

Anyways, I'm excited to read through it again and write some posts for y'all!

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